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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">discourse</journal-id><journal-title-group><journal-title xml:lang="ru">Дискурс</journal-title><trans-title-group xml:lang="en"><trans-title>Discourse</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2412-8562</issn><issn pub-type="epub">2658-7777</issn><publisher><publisher-name>СПбГЭТУ «ЛЭТИ»</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.32603/2412-8562-2016-0-3-72-83</article-id><article-id custom-type="elpub" pub-id-type="custom">discourse-40</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>СОЦИОЛОГИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>SOCIOLOGY</subject></subj-group></article-categories><title-group><article-title>КОММУНИКАТИВНЫЙ АНАЛИЗ КРЕАТИВНОГО ПРОЦЕССА В АРТ-СООБЩЕСТВАХ</article-title><trans-title-group xml:lang="en"><trans-title>COMMUNICATIVE ANALYSIS OF THE CREATIVE PROCESS IN ART COMMUNITIES</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Пивоваров</surname><given-names>А. М.</given-names></name><name name-style="western" xml:lang="en"><surname>Pivovarov</surname><given-names>A. M.</given-names></name></name-alternatives><email xlink:type="simple">a-pivovarov@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Санкт-Петербургский государственный университет</institution></aff><aff xml:lang="en"><institution>Saint Petersburg State University</institution></aff></aff-alternatives><pub-date pub-type="collection"><year>2016</year></pub-date><pub-date pub-type="epub"><day>28</day><month>06</month><year>2016</year></pub-date><volume>0</volume><issue>3</issue><fpage>72</fpage><lpage>83</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Пивоваров А.М., 2016</copyright-statement><copyright-year>2016</copyright-year><copyright-holder xml:lang="ru">Пивоваров А.М.</copyright-holder><copyright-holder xml:lang="en">Pivovarov A.M.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://discourse.elpub.ru/jour/article/view/40">https://discourse.elpub.ru/jour/article/view/40</self-uri><abstract><p>В вопросе идентификации компонентов креативного процесса предлагается опираться на представления и концепции, подтверждающие глубокую взаимосвязь между коммуникацией и креативностью. Коммуникативный подход предполагает выделение креативных подпроцессов с помощью анализа коммуникации, происходящей в коллективе, участники которого заняты решением творческой задачи. Используется модель креативного процесса, основными компонентами (подпроцессами) которой являются постановка задачи, эмоциональная активация, генерирование, объективация и оценивание. Анализируется то, как реализуются некоторые из этих подпроцессов в ходе индивидуальной и коллективной творческой деятельности художников, объединенных в сообщества. Эмпирической базой работы послужили данные, собранные с помощью метода слабоструктурированного интервью в ходе полевых исследований, объектом которых являлись четыре арт-сообщества, объединяющих в совокупности более трех десятков художников Санкт-Петербурга, работающих в различных жанрах актуального искусства.</p></abstract><trans-abstract xml:lang="en"><p>On the issue of identification of components of the creative process, the author proposes to rely on notions and concepts asserting the deep relationship between communication and creativity. The communicative approach involves revealing of sub-processes involved in creativity by analyzing communication that takes place in the team, whose members are engaged in solving a creative problem. For the analysis of the artistic creative process it is proposed to use a model, major components (sub-processes) of which include problem statement, emotional activation, generating, objectification and evaluating. The paper describes the sub-processes of objectification and excitement in individual and team work of artists, as well as a role performed by communication in each sub-process. The evidence-based framework for the paper included the data gathered with a method of a semi-structured interview collected during the field research. Their object included four art communities that had brought together more than thirty artists in an urban environment who work in various genres of the contemporary art.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Модель креативного процесса</kwd><kwd>креативные подпроцессы</kwd><kwd>коммуникация</kwd><kwd>ролевая структура коллектива</kwd><kwd>арт-сообщества</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Creative process</kwd><kwd>communication</kwd><kwd>team's role structure</kwd><kwd>art communities</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Wallas G. The art of thought. New York: Watts &amp; Co, 1926. 181 p.</mixed-citation><mixed-citation xml:lang="en">Wallas G. The art of thought. 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